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Thursday 17 December 2015

Meet The Manliest Man In Hollywood

We have a theory that Chris Hemsworth is Hollywood's leading man, literally. Maybe it's his Australian-ness. Maybe it's his hobbies (surfing, boxing). Maybe it's that he plays a Norse god, complete with godlike biceps. So we put him through a barrage of questions and challenges designed to ascertain exactly how manly Hemsworth really is. And it turns out we were right—but not for all the reasons we thought

Hollywood likes to build up its leading men as paragons of badass virility. But let’s be honest: Playing manly and being manly are hardly the same thing. We’ve seen Johnny Depp infiltrate the Mafia and handle a tommy gun, but I wouldn’t trust the guy to jump my car. And then you have Chris Hemsworth.

We all know the Flan-Haired One came to fame as a stoic alpha-god in Thor. Even in his artistic breakout—in Rush—he was a hard-drinking, model-shagging Formula One racer. And with a packed slate of starring roles in 2015, from playing the world’s toughest hacker in this month’s Blackhat to reprising his role as the God of Hair and Hammer in Avengers: Age of Ultron this May, Hemsworth isn’t letting off the gas.

But he might be more rugged in real life. He grew up scrapping with two brothers (the actors Liam, younger, and Luke, elder) and guided by a father who once raced motorbikes and wrangled buffalo. He surfs and bos and knows Muay Thai. Plus he’s from Australia, birthplace of Paul Hogan and a billion deadly animals and a version of football that makes ours look like a cuddle puddle.

And so we wondered, is Hemsworth the rare Hollywood leading man who is actually more robust, more manly in reality than the characters he plays? That’s why, when I meet him in Los Angeles, I arrive armed with the JUST HOW MANLY ARE YOU, CHRIS HEMSWORTH, QUIZ-CHALLENGE , a series of questions and physical trials that Hemsworth has no clue he’s about to be put through. Let’s begin.

WHAT’S YOUR FAVORITE MANLY HOBBY? PLEASE DEMONSTRATE

Hemsworth is an outdoorsy guy. Normally he’d be out surfing—and I’d ask to tag along for this piece—but since the Malibu coastline is glass-flat this week, he has another suggestion: What if we go mountain biking instead?

This is an excellent idea that frightens the hell out of me. I realize that mountain biking with Thor is a good story, one that very possibly ends with "...and that’s how Chris Hemsworth set my shattered fibula." Nevertheless, I meet Hemsworth at 8:30 A.M. on a Saturday at his friend Matt’s place so we can borrow some bikes.

It’s nice—a large wood-and-stone house in Pacific Palisades. Hemsworth greets me enthusiastically at the door like I’m a friend: casual, quick to laugh, welcoming. Australian, basically. He fills the doorway. I had hoped he’d be one of these made-by-Marvel guys who come out of a six-month gym overhaul jacked for the camera, only to deflate to human size afterward (until the sequel, anyway). But I can see why six-foot-three Hemsworth, even in sneakers, shorts, and a loose white V-neck, was tapped to play a Norse god.

I follow Hemsworth inside, through the living room, into the kitchen, and it’s only then that I realize I’m standing in Matt Damon’s house. The giveaway is Matt Damon, perched on a countertop in his kitchen, sipping coffee as his family buzzes around. Despite the thirteen-year age difference, Hemsworth and Damon are tight—like, annual-family-trip-to-Costa-Rica tight. "We became friends around the time I started to work, and I’ve really benefited from watching how he handles himself," says Hemsworth. "Matt’s just a normal guy who has the movie-star thing figured out." And now Matt is our bike guy.

Damon leads us out to the garage and starts gearing us up—checking brakes, squeezing tires, inspecting helmets for structural integrity. When I mention I forgot my shades, Damon bounds upstairs and comes back with two pairs, just so I have options. When I voice my fears about keeping up with Hemsworth, he tells me not to worry. "I’m not sending you guys on anything too crazy," he says. "Obviously, be a little careful up there. I broke my clavicle on the same trail a few months ago." Thanks for the reassurance, Matt Damon.

SO, CHRIS HEMSWORTH: WHAT'S THE COOLEST SCAR YOU'VE GOT AND HOW'D YOU GET IT?

He ticks off a few from a life spent surfing, dirt biking, and roughhousing with his brothers. "All pretty boring," says Hemsworth with manly modesty. Then he remembers one that’s not so boring, flipping over his left palm. "See this tiny little scar?" he asks, grinning. "I got this when I was 6 or 7, living in the Northern Territory."

Hemsworth spent most of his childhood in Melbourne, where his mom taught school and his dad worked in child-protection services. But on a couple of separate occasions, his father moved the whole family up to the Northern Territory—the Outback—so he could work the cattle ranches, culling buffalo from grazing land. "It was a way for the family to save money," says Hemsworth, who went to a largely Aboriginal school. "Remote as you can get, the nearest town a five- or six-hour drive over dirt roads."

On one such sojourn, young Hemsworth decided to buy a knife. A big knife. An unnecessarily, absurdly large knife. "I remember the sales guy asking, ’Well, what’re you gonna use that for?’ I said, ’Fishing?’ And that was the security test. Later, I went snorkeling in this swimming hole. Thought I stabbed a fish, but I stabbed myself in the hand instead. I still have a vivid memory of what that felt like. It wasn’t alarmingly bad, but it was like, ’Oh, wow. I’ve just done something here.’ "

WHAT WAS THE LAST THING YOU DID THAT SCARED THE HELL OUT OF YOU?

Having a family, Hemsworth says. Though he doesn’t mean settling down. That part, getting hitched four years ago to Spanish actress Elsa Pataky (of the Fast Furious franchise), held no anxiety. He’d already exorcised the playboy shenanigans from his system, he says. "The fame, the parties, the women—I did that stuff back home, when I was on the show," Hemsworth explains, referring to his three years on the Aussie soap Home and Away. It’s huge there: been on for twenty-seven years, launched the careers of Heath Ledger and Naomi Watts. "I got away with a lot more over there," he says. "Then I came here"—to film 2010’s Ca$h—"and sort of started over."
 
A shared dialect coach introduced Hemsworth to Pataky; nine months later, he popped the question, sort of. "We did it all backwards—agreed to get married before I actually proposed." So even that part wasn’t scary. Having kids, though—he has a 2 1/2-year-old daughter and 9-monthold twins—that scared him. "Just not screwing it up," he says, revealing the first sign of being a good father: worrying about whether you’re a good father.

HOW QUICKLY CAN YOU CHANGE A DIAPER?

"I’m good, man. Depends on how messy it is. Sometimes you gotta give ’em a hose-down."

IS IT MANLY TO BE FOLLOWED BY MATT DAMON DRIVING AN ELECTRIC CAR?

We’re two minutes into the bike ride, with Damon in his Tesla sedan leading us to the trailhead, driving silently alongside as we pedal. He leans his head out the window. "You guys bring water? I totally forgot to get you some water."

"I would have been okay if you hadn’t said water," replies Hemsworth. "Now I’m dying of thirst." We arrive at Will Rogers State Historic Park, and Hemsworth thanks Damon for the navigation. "If we’re not back at your place in two hours, call the paramedics," he says.

We start up the trail. Quickly I realize that I’d been so worried about wiping out going downhill that I forgot to prepare for collapsing on an uphill. We’re facing a big climb. I know I’m in trouble when I look to my right and see Hemsworth is already sweating. Nothing "too crazy," my ass.

WHO WOULD WIN IN A FIGHT: YOU OR A KANGAROO?

Hemsworth is keenly aware that his bio—the bush life, the surfing, the buffalo-hunting dad—make his upbringing sound "like I tick every box on the Crocodile Dundee form." He thinks it makes him seem more macho than he really is. That said: "Kangaroo. Absolutely. It would kick you in the face. A lot. They lean back on their tails and double-kick. That’s how they fight each other in the wild."

WHAT’S THE CRAZIEST THING YOU’VE EVER DONE TO GET INTO CHARACTER?

He’s not a Method guy. His philosophy, cribbed from Anthony Hopkins on the set of Thor, is "Don’t bring it home. Don’t even bring it to the makeup trailer." That’s not to say he hasn’t endured some intense physical prep, most recently limiting himself to 500 calories a day on the set of Ron Howard’s upcoming whaling saga, In the Heart of the Sea, to achieve that emaciated castaway look. But the craziest thing Hemsworth’s done to get into character was sit in Michael Mann’s office and learn to type. For ten weeks.

It was for this month’s Blackhat, a cyber-crime thriller directed by Mann. Hemsworth plays the most ripped, ass-kicking-est hacker since, well, ever, released from jail in order to help the FBI track down a cyber-sociopath. Mann enlisted a UCLA-based hacking expert to show Hemsworth how to code. 
First, though, the expert had to teach him to type, since Hemsworth was strictly a hunt-and-peck guy. "It reminded me of being back in school," he says. He hated school. "But it was Mann’s suggestion, so I wasn’t going to not do it."

WHEN’S THE LAST TIME YOU USED A HAMMER FROM THIS EARTHLY REALM?

"Two or three weeks ago," says Hemsworth. "I repaired a little tree house." This was for his daughter, on the grounds of their new home: a reported $7 million eight-bedroom seaside estate overlooking the Brita-clear waters of Byron Bay, on Australia’s east coast. That’s where Hemsworth tightened gaps in a tree-house rope bridge so his daughter wouldn’t fall through. DIY runs in his blood—his father built several of Hemsworth’s childhood houses—but it’s diluted. "I’ll go, ’We don’t need to call anyone; I’ll do it,’ " says Hemsworth. "And I’ll do a shit job—like, the Homer Simpson version—and then I’ll call someone else to redo it. My desire is more powerful than my talent."

Rank these films from most preferred to least:

The Shawshank Redemption, The Big Lebowski, Reservoir Dogs, Mad Max, the late films of Liam Neeson, The Notebook.

"Shawshank, Mad Max, Reservoir Dogs, Big Lebowski, The Notebook, then Liam," says Hemsworth. "Nothing against Liam. I love Liam—I just haven’t seen his late films." He didn’t hate The Notebook, either. "It was solid. I need to do a romance, something where I’m not swinging a weapon and beating someone up." Hemsworth did just finish his first comedy, with a small part as a "Texas weatherman cheeseball" in October’s Vacation sequel, which stars Ed Helms as a grown-up Rusty. It’s Hemsworth’s first shot at improv.

"I haven’t been that nervous in a long time," he says. "But very quickly I realized, this is fun. There was no ego. Every day we’d be on set, laughing. I’m like, ’Are you kidding me? Why wouldn’t I do more of this?’ "

Draw a monkey wrench.

style-2015-01-monkey-wrench-drawing.jpg

Can you use a wrench better than you draw one?

The question isn’t so much asked as acted out, back during our mountain-bike excursion. We’re still chugging up that hill, probably about ten minutes into the ride. It’s getting hotter. I look over at Hemsworth, sweating hard, too, and I’m pretty sure we’re both thinking the same thing: Matt Damon really fucked us on those waters.

Then I catch a lucky break: Hemsworth’s pedal snaps off.

We decide we should at least try to fix the thing. We find a wrench in one of those dangly under-seat stash packs, and Hemsworth gets to work, kneeling in the dirt on the side of the trail, trying his damnedest to re-attach the pedal.

Hikers pass. Mountain bikers. A group of teens being led on a nature walk. No one recognizes Hemsworth or stops to ask if we need help. Seems that in the realm of the Pacific Palisades, mortals let the gods handle their own misfortunes. After about ten minutes, Hemsworth declares the pedal’s time of death. "You wanna get some breakfast?" he asks. "Maybe find a diner?"

What’s the last thing that you punched, and why?

Hemsworth does a lot of boxing and some Muay Thai, mostly for the cardio. (He hates running.) "But I’ve been in situations where I’m fucking angry, and drunk, and I think, ’This is the perfect time to punch the wall.’ But then there’s this practical side of me that’s like, ’Well, hang on now, pick a soft spot. Don’t know if there’s a beam under here.’ So I think the last thing I punched was probably the pads."

Do you protect your little brother?

Hemsworth and his two brothers are tight, their age differences serving as a natural—if not gentle—Hollywood mentoring program. Luke is 34, Chris is 31, and Liam is 24. Luke is the most recent Hollywood transplant, having moved his family from Melbourne last year. Liam has been in L.A. 
nearly as long as Chris—originally flown in by Marvel to screen-test for the role of Thor. He didn’t get the gig, obviously, but has managed to console himself with a starring role in the Hunger Games saga, a (now broken) engagement to Miley Cyrus, and legit teen-heartthrob status.

"I’ve watched Liam do things I did at his age, like being in relationships he shouldn’t be in, or being reckless just to prove a point. And I had no empathy. My mom had to remind me I was the same way." In his defense Hemsworth says he got plenty of shit from Luke when he was starting out—and that it may have saved his career.

"Back when I was still on the soap, I became incredibly insecure and full of anxiety because I didn’t know if I was any good. Yet I wanted it so bad. I spent years being angsty, constantly telling people I wasn’t just part of a soap opera, that I was a real artist. And I remember Luke sort of snapping, telling me to shut up, that he was sick of hearing it." He credits Luke for pulling him out of his head and making him a less self-conscious actor. That, and Dancing with the Stars. Hemsworth competed on the Aussie version in 2006, finishing fifth. "After that show, I could never pull the serious, self-important card again."

What’s your drink of choice?

Vodka-soda. "I was out in Australia recently and someone was like, ’Please tell me when you want a real drink.’ I was just like, ’Oh, shut up. Really?’ "

Can you tie a complicated sailing knot?

This one should be a cinch. The whole cast of In the Heart of the Sea underwent a month of nautical training. Everyone except Hemsworth, who was shooting Blackhat. Ironically, Hemsworth plays first mate Owen Chase, the most gifted, able-bodied sailor on the Essex (a.k.a. the real-life whaling vessel that inspired Herman Melville’s Moby-Dick). "There are plenty of scenes with me just wrapping rope around my hand to look like I’m busy," he says. "It’s smoke and mirrors."

After one too many bush-league maritime gaffes on set, Hemsworth felt he had something to prove. When time came to shoot one of the movie’s most waterlogged scenes—in which Hemsworth’s whaleboat is flipped and submerged—he declined his stunt captain’s advice to use nose plugs. "This was in front of a few people. I was like, ’No, dude, I’ve surfed my whole life. I can do this,’ " he says. "I get out there, and it wasn’t fine. It was so much water up my nose that I was choking. But I couldn’t say, ’Oh, you were right,’ because I’d already made a thing of it. So I suffered through a number of takes, upside down, basically being waterboarded."

Should a guy know how to take a selfie? And if so, what’s the best way?

"Depends what you mean by a ’selfie,’" says Hemsworth. "Can a selfie contain multiple selves?" He avoids the solo shot: "a little indulgent." But being asked to pose for pictures by an onslaught of fans is a job hazard that’s forced him to develop a technique.

"People don’t know how to use their cameras, so I end up going, ’Here, mate, let me do it.’ So, yeah, I know how to take a selfie for that reason. Efficiency. Otherwise, I’d lose a few years of my life while people figure it out." That patent-pending Hemsworth method: "On the iPhone, use the volume button on the side, as opposed to awkwardly reaching around to tap the front of the screen."

Who is more manly, you as Thor or Matt Damon as Bourne?

"I wear a wig," he says, conceding defeat.

A more apt question, in my opinion: Who’s more of a mensch? That’s a tough one to answer.
We never get to that diner. Damon won’t hear of it, insisting we have breakfast at his place instead. He brews some coffee (well, puts pods into a machine, the Hollywood version of brewing coffee) while Hemsworth makes pancakes. He plates two for me and two for himself. Damon passes—he’s drinking a shake to drop weight for a Ridley Scott movie that has him trapped on Mars.

"Pretty good, right?" Hemsworth says, digging into the pancakes. "Not burnt, not mushy in the center." Though I get the sense that if I said that I liked mushy in the center, he’d make it happen, no problem.

"Today started with me introducing you to my friend, then a bike ride, then cooking you pancakes," Hemsworth says. "I think this is the most romantic interview I’ve ever done." Man enough to admit it, gentleman enough to pull it off.

Chris Hemsworth on Rush, Thor and being a God

From Summer Bay to Asgard, he's in demand from directors such as Michael Mann and JJ Abrams, but he'll give the best part of the next decade to being Marvel's hammer-throwing superhero

Chris Hemsworth, AKA Thor, God of Thunder, crown prince of Asgard, calls me from the M25. It's 6pm, and he's just wrapped for the day on Ron Howard's In The Heart Of The Sea, a true story about a ship destroyed by a sperm whale in 1820. It's shooting at Leavesden Studios, and Hemsworth is in the car home to London, where he and his family have been living for the past few years while he's been making movies, including last month's F1 drama Rush. He'll be here into the spring too, for Avengers: Age Of Ultron. "It's the new Hollywood," he says of Greater London, taking care not to reference the weather.

Thor: The Dark World (sequels are all about colons these days) was also filmed a hammer's throw from the M25, with Pinewood Studios standing in for Asgard, Thor's otherworldly digs. There is, though, a more grounded feel to the alien environs this time; the film was directed by Game Of Thrones' Alan Taylor, who wanted it earthier than Kenneth Branagh's shiny first instalment.

Hemsworth loves HBO's gory breastfest to the point of obsession, he says, so was thrilled when Taylor signed up. How has Game Of Thrones seeped into Thor: The Dark World? "Very much. I just saw the film the other day and was blown away by how expansive it is," he says. "Everything is broken down that bit more, the costumes, the sets, even the hair… you can certainly see the fusion of where he comes from." Presumably there's a little less sex and blood, though. "Yeah, slightly less breasts and swearing."

Hemsworth cut his chops on Home And Away before quitting in 2007, moving to LA and almost immediately being cast as Kirk's doomed dad in JJ Abrams's Star Trek. Yet after wrapping the thriller A Perfect Getaway, he suffered eight months of unemployment ("I couldn't get hired, I couldn't get a job") before finally landing a part in postmodern horror Cabin In The Woods, produced and co-written by Joss Whedon, later to direct Avengers Assemble. It was Whedon who told Hemsworth to go for Thor in the first place. "It was down to four or five people and Joss said, 'Why the hell aren't you playing Thor?' When casting reopened he called Ken [Branagh] and put in a word for me."

Hemsworth has since turned out to be a no-brainer for studios, a killer combo of pecs and presence, although his incredibly charismatic turn as James Hunt in Rush proves that there's a whole lot more to him than wham-bam blockbusters. Still, Thor is Hemsworth's second skin: this is his third outing as the character in as many years. Is it becoming somewhat automatic? "I'm well aware of that danger," he says. "And that was the challenge, to find those depths and layers and not repeat what we'd done, to see if we could advance it. I felt, this time, much more comfortable in the skin of Thor, but also just as an actor. I'd been working solidly on other films since the first one and had learned a lot. Every time you shoot a film you go, 'Oh god, I should have done this, or this…' and in this instance that's the bonus, you get to attack it again."

'I couldn't imagine a worse scenario than not enjoying being Thor, because it's gonna consume a good 10 years of my life'

Hemsworth, a gentle giant who seems both grateful and gracious, talks passionately about Thor, with no winking and no weariness. It sounds as if he has genuine affection for him. "Yeah, definitely. Ah look, not only because of the opportunities it's given me, but to spend that much time in a character's head and not have affection for him or empathise with him is a lot harder of a task. Yeah, there are times when you get frustrated with things, limitations about it, but you'd drive yourself crazy. I couldn't imagine a worse scenario than not enjoying this character, because it's gonna consume a good 10 years of my life."

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It really is: by the end of the decade he will have played the character six times (he's contracted for a third instalment as well as two Avengers sequels). He basically squeezes other films into gaps in his Thor schedule. Which, really, is bonkers. "Ah, it's nuts. That's what I mean, even unconsciously you have to find a way to love it. Also, whether it's Tom Hiddleston or the guys in The Avengers, we all talk about what an opportunity it is to be part of something that people love across the board, people of all ages have such affection for it. It feels like what Star Wars was when I was growing up, how everyone talked about it, the influence on pop culture, and it's kind of crazy to be a part of that."

Does he get wide-eyed kids gawping at him? "I was at the airport a few weeks ago," he laughs, "and this kid with a little cape on and a hammer was running around smashing into things and his parents looked over at me and said to him, 'Look, look, it's Thor!' And the kid looked up and said: 'No it's not.' And just ran off and continued to be Thor around the airport. And I realised, I ain't Thor without the costume and the hammer."

Hemsworth lives a quiet, private family life, but although he avoids the spotlight when he's not on the promo train, it doesn't avoid him. A few weeks ago, myriad gossip sites published photos of the Malibu home he just bought, going through the place room by room. "Ah, that was odd for us, man. I emailed my manager saying, 'Are they allowed to do this?' And they said, unfortunately, yeah. It's a strange feeling, you know?" It is particularly intrusive. "It is, we've hardly even been there, and for it to happen that soon, wow. It is what it is, you trick yourself into thinking that you can avoid it or ignore it, but when it's literally in your home like that it's a strange thing."

'It was refreshing to be able to spend all the time on my character in Rush and not be sidetracked by special effects and spectacle'

 With Daniel Bruhl in Rush. Photograph: Allstar

That level of attention, one assumes, must be rather unnerving. "At times, yeah. When you think about it. Most of the time I can get away with not paying any attention, and then occasionally it's in your face. I just stay off the internet. And I found that living in LA, during the time I wasn't working, I think part of it was because I was too in the middle of it all, living in Hollywood, auditioning and working there, and everywhere you drive and walk and move you're reminded of the industry and what you're not involved in, and you just end up tightly bound, spinning in circles with it. The more you do things that are further from that, experiencing parts of life that aren't absolutely the industry, far more authentic kinds of activities, you feel like a person again. Because you can quickly become a prototype for Hollywood."

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Indeed, Hemsworth's ascension has been swift since Thor's success; he's now prime box-office stock, a marquee name for the number crunchers. The recent underwhelming Red Dawn remake, in which Hemsworth starred, was actually shot in 2009. It was postponed due to MGM's financial woes, but having it finally hit screens after the success of Avengers Assemble and Snow White And The Huntsman also looked like a cash-in. "Yeah. I think a bit of both," he says. "It was certainly held up because of MGM going bankrupt, but I think when it came time to release it they sat on it a little to see what Thor was gonna do. You want your most recent thing to be the representation of where you're at, and to dig up something that was in the past was a little scary. But Ken [Branagh] said, 'I liked being able to introduce you to the world as a fresh face,' so it was maybe an advantage in that way."

In-between his Asgardian outings Hemsworth wants to make smaller character-driven films. He recently filmed Cyber, Michael Mann's thriller about a code-writer pulled out of prison to help track down a cyber-terrorist, and relished the attention to detail Mann pushed for. "He's an absolute workhorse," he says. "He made me do two-and-a-half months of computer classes." Really?! Was it worth it? "Yeah. It may be an overload of information, but I think he thinks if you can limit that slight shadow of doubt in your eye, that you know what you're talking about, then it's worth it." Hemsworth was hugely inspired by Rush, which he gushes about. "It was a reminder of why I fell in love with acting," he says. "Everything's there to support you as an actor and the character and the intimacy of that story. And it was refreshing to be able to spend all the time on that and not be sidetracked by special effects and spectacle, which a lot of other films I've done have been. So in between Thor and Avengers I want to do something like that again. That's where my gut is pulling me. A nice balance."

He's nearly home, so I let him go: the man who ain't Thor without the costume and the hammer, a god who walks among men in airports, invisible to kids dressed as him. Pretty cool.
 
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